Thursday, 17 of May of 2012

DOWNLOAD THE PARSONS MFA PHOTOGRAPHY THESIS EXHIBITION CATALOGUE

 

A catalogue of works accompanies this year’s exhibition. In reflecting on the evolution and context of their practices during the MFA program, this year’s class has included in the catalogue a series of articles and questions/answers with artists, critics and curators who have been influential in forming their vision. Contributors included Michelle Dunn Marsh, Elinor Carucci, Alex Soth, Cyril Christo, Moyra Davey, Sarah Hasted, Matthew Higgs, Liz Deschenes, Todd Hido, Raul Gutierrez and more. To Download a PDF of the exhibition click at

http://photo.parsons.edu/mfa/2011_MFA_Catalog_WEB.pdf


Elmar Vestner (MFA’06) at SEPTEMBER Gallery, Berlin

April 25, 2012

Elmar Vestner (MFA’06) is included, along with David Ostrowski and Henry Kleine, in the New Gestural Painting exhibition at SEPTEMBER gallery in Berlin.

April 26 – May 26, 2012
Opening: April 25th, 7pm

SEPTEMBER
Adalbertstraße 5-8
10999 Berlin
www.september-berlin.com


Jun Ahn (MFA’11) at Cais Gallery, Seoul

April 24, 2012


吃了吗 Chi Le Ma?

April 5, 2012

Works from the MFA Photography and Related Media Program made in China

吃了吗 Chi Le Ma?

April 5-19, 2012
Opening Reception: April 5th, 7-9pm

Frontrunner Gallery
59 Franklin Street
(between Broadway and Lafayette)
New York City, New York, USA

This is an exhibition of works by Nathan Bett, Alison Chen, Colleen Fitzgerald, Sylvia Hardy, Phoenix Lindsey-Hall, Sharon Ma, Charlie Rubin, Jose Soto, Maria Sprowls, and Yichen Zhou (all MFA’12) made during a 2-week experience in China in 2011. The trip coincided with the 11th edition of the Pingyao International Photography Festival in which the Parsons MFA Photography and Related Media program participated. With the exception of two artists in the group, none of the other artists had previously spent any time in the country. These artists grappled with the unfamiliar culture, politics, sites, natural environments, and architecture of the new landscape.

The majority of the works exist as a record of the attempt to reconcile the unfamiliarity of the experience, while Yichen Zhou’s work provides poignant commentary on Chinese culture from the perspective of a native. Sharon Ma transforms the sheer quantity of the journey’s intangible experiences into the tangible objects of a scroll and functional tablecloth, relating back to the exhibition’s overriding theme, “Have you eaten?” All of the works approach capturing a sense of place in a playful manner, and none do this better than the video performance of Phoenix Lindsey-Hall as she dances in tiger costume upon the Great Wall of China.

Works by Bett, Fitzgerald, Sprowls, Rubin, Chen, and Hardy are hung together in a salon-style mural. It is through arranging, framing, ordering, reordering, fragmenting, and connecting the range of subjects encountered by each individual that a larger dialogue arises. Here the photographic objects act more as artifacts to bring another part of the world to our doorstep.

“Chi Le Ma?” or “Have you eaten?” is a question often asked by Chinese people as a way of greeting. It is an informal way to ask of the well being of others, just as we would say “How are you?” Or, considered in another, perhaps more thoughtful way, the question can mean, “Have you readied yourself to experience the world, to see what is around you?” In this sense, one can say that food, more than anything else, is the starting point of the composition, more essential than one realizes. The artists in this show come together to the proverbial table to share their experiences.


Sally Dennison (MFA’10) in Portraits at Addison Wooley Gallery

April 1, 2012

Sally Dennison’s (MFA’10) work is featured in Portraits, a two-person exhibition at Addison Wooley Gallery in Portland. Read a review of the small but haunting show in the Portland Press Herald.

Portraits
March 1 – April 1, 2012
Opening Reception: March 1, 5-8pm

Addison Wooley Gallery
132 Washington Ave
Portland, Maine
addisonwoolley.com


Leif Huron (MFA’12) screens The Valley at Tribeca Film Festival

March 21, 2012

 

Leif Huron (MFA’12) screens his short film The Valley in the Shorts: Journeys Across Cultural Landscapes program of this year’s Tribeca Film Festival.

The Journeys Across Cultural Landscapes program will be shown on April 19 and 27 at 7pm (Clearview Cinemas Chelsea 5), April 28 at 11:30pm (Clearview Cinemas Chelsea 7), and April 29 (Tribeca Cinemas Theater 1).

Clearview Cinemas Chelsea
260 West 23rd Street
between 7th & 8th Avenues

Tribeca Cinemas
54 Varick Street at Laight Street


Haley Samuelson (MFA’10): An Indecisive Moment at hous projects

February 29, 2012

Haley Samuelson (MFA’10) will be featured in a solo show at hous projects from March 8 – May 8, 2012.

hous projects
31 Howard Street, 2nd floor
New York, NY  10013
www.housprojects.com


Bobby Davidson (MFA’10) in PhotographyNOW 2012

February 29, 2012


Jeremy Dyer (MFA’07) in Critical Mass Top 50

February 18, 2012

Jeremy Dyer (MFA’07) has been included in PhotoLucida’s Critical Mass Top 50, 2011. The accompanying Critical Mass exhibition will travel from Seattle (February 18-March 23) to Portland (April 6-29) to San Francisco (May 10-June 15), with opening receptions in each location.

February 18–March 23, 2012:
Photo Center NW
900 12th Avenue
Seattle, WA
www.pcnw.org

206.720.7222

Opening Reception:  Saturday, February 18th, 6-8 pm

April 6–29, 2012:
Newspace Center for Photography
1632 SE 10th Ave
Portland, OR
newspacephoto.org

503.963.1935

Opening Reception:  Friday, April 6th, 6-9 pm

May 10–June 15, 2012:
RayKo Photo Center
428 Third Street
San Francisco, CA
raykophoto.com

415.495.3773

Opening Reception:  Thursday, May 10th, 6-8 pm


Jason Wee (MFA’05) at Singapore Fringe Festival

February 16, 2012

Tongues
16 – 18 February 2012, 8pm | 18 & 19 February 2012, 3pm
Gallery Theatre, National Museum of Singapore

(Fringe Commission / World Premiere)

Tongues is a confessional and lyrical contemporary performance exploring the contrast, conflict and affinity between faith and sexuality.

The hospital air conditioner is in need of service again. Four bodies awaiting identification and autopsy, wake up at the morgue, in anticipation of the afterlife, if there is one.  They have as much human consciousness as they have warmth. In and out of awareness, the audience amble and hasten with them through their dreams, memories, fears and revelations.

This interdisciplinary interactive piece is a la petite mort of real-life confessions, reflections and imaginations gathered from people holding differing histories, beliefs and gender identities, from ancient to present.

What happens when the air conditioner is finally repaired and the cold temperature is restored?

Featuring Nora Samosir, Faizal Muhammad, Walter Hanna & Serena Ho. Creative direction by Sean Tobin and Jason Wee (MFA’05).


Conveyor Magazine in Millenium Magazines exhibition at MoMA

February 15, 2012

Millenium Magazines, curated by Rachael Morrison and David Senior of the MoMA Library, includes Conveyor Magazine in its survey of experimental art and design magazines published since 2000. The exhibition explores the various ways in which contemporary artists and designers utilize the magazine format as an experimental space for the presentation of artworks and text. Conveyor Magazine’s Executive Editor is Christina Labey (MFA’12). Other editors include Neima Jahromi, Dominica Paige (MFA’12), Chelsey Morell (MFA’12), Sylvia Hardy (MFA’12), Alison Chen (MFA’12), Maria Sprowls (MFA’12), Elizabeth Bick, Haley Bueschlen (MFA’12), and Jenny Odell.

Millenium Magazines
February 22 – May 14, 2012

Museum of Modern Art
Lewis B. and Dorothy Cullman Education and Research Building
4 West 54th Street
New York City


Sarah Sudhoff (MFA’05) featured in TIME LightBox

February 15, 2012

Sarah Sudhoff (MFA’05) was featured in an article on TIME LightBox, which discusses WIRED, a series inspired by her residency at The Kinsey Institute for Research in Sex, Gender and Reproduction in Bloomington, Indiana.


Rachel Bee Porter (MFA’10) and Marie Vic (MFA’10) in Come & Get It!

February 10, 2012

Come and Get It! exhibits the work of eight contemporary artists, including Rachel Bee Porter (MFA’10) and Marie Vic (MFA’10), who explore the intersection between popular culture, consumerism and art. Inspired by bold and overt advertisements scattered throughout Manhattan, the title of this show further exaggerates on the sales tactics used to seduce us into making an impulsive purchase.

Hendershot Gallery
February 10 – March 6, 2012 | Opening Reception February 10th,6-8pm
195 Chrystie Street
New York, NY  10002
www.hendershotgallery.com


Carol Warner (MFA’07) in Getting From Here to There: Images In (or About) Transition

February 8, 2012

Getting From Here to There: Images In (or About) Transition
Curated by Robert G. Edelman
February 8 – March 20, 2012 | Opening Reception February 15, 6-8pm

AFP Gallery
Fuller Building
41 East 57th Street, Suite 702
New York, NY
Gallery Hours: Monday-Friday, 10-5pm; Saturday, by appointment

Includes works by Alison Berry, Peggy Cyphers, Debra Drexler, Sally Egbert, Ilona Granet, Nancy Grimes, Julian Hatton, Anton Henning, Mary Hrbacek, David Kapp, Kika Karadi, William Kentridge, Yayoi Kusama, Ellen Lanyon, Sol LeWitt, Timothy Linn, Robert Lobe, David Lowe, Rifka Milder, Paton Miller, Andre von Morrisse, Robert Reitzfeld, Lucy Reizfeld, Grace Roselli, Silas Shabelewska, Mark Sheinkman, Frank Stella, David True, Carol Warner (MFA’07), Joe Zucker.


Marie Vic’s (MFA’10) Sunday Afternoon at the Park at SMETS in Brussels

February 8, 2012


(1)ne Drop Project with photos by Noelle Théard (MFA’13) featured on CNN

January 14, 2012

(1)ne Drop: Conversations on Skin Color, Race, and Identity, authored by Dr. Yaba Blay and photographed by Noelle Théard (MFA’13), was featured on CNN Newsroom. where Dr. Blay was interviewed by CNN’s Don Lemmon.


Noelle Théard’s (MFA’13) FotoKonbit featured on NPR

January 12, 2012

FotoKonbit, a non-profit organization created to empower Haitians to tell their own stories through photography, was recently featured on NPR. By partnering with established Haitian organizations, FotoKonbit is uniquely positioned to inspire hope through creative expression and provide Haitians with the opportunity to document their reality and share it with the largest possible audience. Noelle Théard (MFA ’13) is Associate Director of FotoKonbit and one of its founding members.


Rachel Bee Porter (MFA’10) in Feast Your Eyes

January 6, 2012

Feast Your Eyes, an exhibition presented by New York Photo Festival, includes work by Rachel Bee Porter (MFA’10). The exhibition was juried by Alex Pollack (Bon Appetit Magazine), Brett Jefferson Stott (London Street Photography Festival), Jon Chonko (author of Sandwiches), Krzysztof Candrowicz (Lodz Art Center), and Manolis Moresopoulos (Athens Photo Festival) and includes work by Elinor Carucci and others.

Feast Your Eyes
January 6 – January 27, 2012
powerHouse Arena
37 Main Street
Brooklyn, NY 11201


Erik Madigan Heck (MFA ’09) named to Forbes 30 under 30 Art and Design List for 2011

December 19, 2011

Erik Madigan Heck (MFA ’09), art director and fashion photographer, was named to Forbes’ 2011 30 under 30 Art and Design list along with others including recent TED prize winner JR, Alexander Wang, Mary-Kate and Ashley Olsen, and other prominent young creative minds.


Brigitte Lustenberger (MFA’ 07) at the Walter Keller Gallery in Zurich

December 12, 2011

With her multi-layered body of works Previously on … artist Brigitte Lustenberger (MFA ’07) takes inspiration in Baroque paintings, in their imagery and colors. She creates present-day tableaux vivants exploring the transitoriness of human life. The Zurich-born artist has been awarded with the prestigious Landis & Gyr Award 2011.

Gallery Walter Keller
December 12, 2011 – January 28, 2012 | Opening on December 12th, 6:30pm
Oberdorfstrasse 2
CH-8001 Zurich
www.kellerkunst.com
Phone +41 (0)43 268 53 65


Article by Sabine Mirlesse (MFA ’10) in The Paris Review

December 7, 2011

Studio Visit with Gabriel Orozco by Sabine Mirlesse (MFA ’10) in The Paris Review

When Mexican artist Gabriel Orozco opens the back doors leading out onto his garden, it seems so serene that you would be hard-pressed to believe you were in the middle of downtown Manhattan. Inside, the walls are covered with boomerangs, his laptop is decorated with superhero stickers, and his painting palette is filled with cigarette butts. Recently, the artist invited me to his combined studio, kitchenette, and office space on the basement floor of his brownstone to talk about his working process, how he started out as an artist, and why it’s important to habituate your audience to disappointment. 

Read more…


Tony Flanagan (MFA’13) in To The Neon Gods They Made

November 21, 2011


Conveyor Magazine releases Issue No. 2 {Mapping}

November 18, 2011

Conveyor Magazine

Conveyor Magazine is a semi-annual publication dedicated to eliminating the hierarchy between emerging and established artists.

Executive Editor: Christina Labey (MFA’12)
Editors: Neima Jahromi, Dominica Paige (MFA’12), Chelsey Morell (MFA’12)
Contributing Editors: Alison Chen (MFA’12), Sylvia Hardy (MFA’12), Maria Sprowls (MFA’12)
Editors-at-Large (East Coast): Elizabeth Bick, Haley Bueschlen (MFA’12)
Editor-at-Large (West Coast): Jenny Odell

Issue No. 2  {Mapping}

Contents
You are Here  David Coggins
Near the Point of Beginning  Peter Happel Christian
One If By Wanderlust (Group Show)  Dominica Paige
Limits of the Visible World: A Dialogue with Trevor Paglen  Christina Labey
Visual Complexities: Mapping Patterns of Information  Mark Stafford
Arctic Wonderland  Sarah Anne Johnson
The Mason-Dixon Survey  Colin Stearns
All the People on Google Earth  Jenny Odell
Old Man and the Sea  Joy Drury Cox
Adam Ryder’s Areth: Architectural Atlas  Sylvia Hardy and Chelsey Morell
Muybridge’s Enthalpy  Kenneth White
The Photographer’s Studio  Caleb Charland


MFA Photo: Fall 2011 Open Studios


Madiha Aijaz’s Swimming Pool highly commended by Commonwealth Foundation

October 12, 2011

Swimming Pool, a short story by Madiha Aijaz ’10, was highly commended by the 2011 Commonwealth Foundation Short Story Prize committee. An audio version also ran on BBC Radio.


Nathan Bett (MFA ’12) gets 1st Place in CCNY’s National Photography Competition

September 9, 2011

Nathan Bett

The Camera Club of New York has selected Nathan Bett (MFA ’12) as the First Place Winner in their 2011 National Photography Competition juried by Richard Renaldi. Bett’s work will be exhibited at the Camera Club of New York from August 18-September 10, 2011.

Closing Reception
Friday, September 9 – 6-8pm
Camera Club of New York
336 West 37th Street, Suite 206


Sabine Mirlesse (MFA ’10) featured in Dossier Magazine

Dossier Magazine featuring Sabine Mirlesse

Dossier Magazine is featuring the ongoing Going Home/Dust/Ashes series by Sabine Mirlesse (MFA ’11) in their current issue.


Rachael Stollar (MFA’11) in group show at The Gallery @ Eponymy

September 8, 2011


Niv Rozenberg (MFA ’11) receives ADAA honorable mention

Niv Rozenberg, automonuments

The Adobe Design Achievement Awards have awarded Niv Rozenberg’s (MFA ’11) automonuments series honorable mention in the field of Photography for 2011.

 


Jose Soto (MFA ’12) in 11 en 2011 at Museo de Art de Ponce

Jose Soto, Morning Breeze, 2011

Jose Soto’s (MFA ’12) video Morning Breeze (2011) is featured in the Museo de Art de Ponce group video and experimental film exhibition 11 en 2011.


PARSONS PRESENTS 2011 MFA PHOTOGRAPHY THESIS EXHIBITION

On View at the Sheila C. Johnson Center August 22 – September 10

Opening Reception August 24, 6:00 – 8:00 PM

NEW YORK — Parsons The New School for Design will present Graduate Works in Photography, its annual exhibition of MFA Photography thesis work in the Arnold and Sheila Aronson Galleries of the Sheila C. Johnson Center from August 22 through September 10, 2011.

The exhibition features thesis work by recent graduates Jun Ahn, Ho Chang, Yan Deng, Aubrey Hays, Khaula Jamil, Anna Ogier-Bloomer, Egemen Pekoz, Sam Deshuk Rivers, Niv Rozenberg, Elisa Schwalm, Lisa Smith, and Rachael Stollar.

A catalogue of works accompanies this year’s exhibition. In reflecting on the evolution and context of their practices during the MFA program, this years’ class has included in the catalogue a series of articles and questions/answers with artists, critics and curators who have been influential in forming their vision. Contributors included Michelle Dunn Marsh, Elinor Carucci, Alex Soth, Cyril Christo, Moyra Davey, Sarah Hasted, Matthew Higgs, Liz Deschenes, Todd Hido, Raul Gutierrez and more. To Download a PDF of the exhibition click at

http://photo.parsons.edu/mfa/2011_MFA_Catalog_WEB.pdf

 

For more information, please visit
www.newschool.edu/parsons/mfa-photography/

Gallery Information:

Sheila C. Johnson Design Center
Parsons The New School for Design, 66 Fifth Avenue at 13th Street, New York
Gallery hours: M-F, 10 AM-8 PM; S-S, Noon-6 PM, closed all major holidays and holiday eves.
Admission: Free
Info: Please contact 212.229.8919 or visit
www.newschool.edu/parsons/sjdc.

About Parsons The New School for Design:
Parsons The New School for Design is one of the most prestigious and comprehensive institutions of art and design in the world. Located in New York City, Parsons prepares students to creatively and critically address the complex conditions of contemporary global society. Combining rigorous craft with cutting-edge theory and research methods, Parsons encourages collaborative and individual approaches that cut across a wide array of disciplines. For more information, please visit
www.newschool.edu/parsons.


MFA Photo: Summer 2011 Open Studio


New Photography @ A Tree Grows, Brooklyn

July 6, 2011

Featuring the work of: Aubrey Hays (MFA ’11), Charlie Rubin (MFA ’12), Leif Huron (MFA ’12), Lisa Bleich (MFA ’11), and Nathan Bett (MFA ’12).

 


Seung Jae Ju (MFA ’12) – IN sight @ Kips Gallery

July 6, 2011

 

 

Hours: Tuesday – Saturday 11 am–6 pm

511 West 25th Street #206
New York, NY 10001

Phone: 212 242 4215

kips@kipsgallery.com

http://www.kipsgallery.com/


Aperture Gallery – Photo Camp: The Culture of Now

June 27, 2011

Opening Reception:
Tuesday, June 28, 2011, 6:00–8:00pm

On View:
June 28–July 15, 2011

This April, students in Los Angeles and in New York City created work on two consecutive weekends as part of Photo Camp, a photography workshop presented by Aperture and Sony. The workshop included a day of shooting with Sony Artisans of Imagery and private editing sessions with Aperture staff and friends, highlighting Sony’s strengths in technology and Aperture’s commitment to encouraging excellence. The 72 participants were asked to focus on the theme “The Culture of Now,” and, after a single day of shooting and an additional day of group discussions and one-on-one review sessions, students submitted three images each for possible inclusion in the exhibition.

The exhibition is printed by Gotham Imaging, with ink and paper provided courtesy of Epson. Additional support was provided by D.A.P. | Art Book Press in Los Angeles.

About Sony Artisans of Imagery
Based on synergies between their unique styles of photography and Sony’s line of DSLR cameras, Sony hand-selected six professional photographers to be included in its Artisans of Imagery program. These pro photographers include Nigel Barker, Andy Katz, Me Ra Koh, David McLain, Christina Mittermeier, Brian Smith, and Matthew Jordan Smith. Throughout the year, these photographers have been lecturing and providing educational workshops at U.S. universities and photography festivals. Additionally, their work has been featured in books, editorial content, advertising campaigns, and worldwide exhibitions. Visit Sony’s news and information site www.Sony.com/news to find out more about Sony’s digital imaging products.

Parsons MFA Photography participants: Aubrey Hays (MFA ’11), Nathan Bett (MFA ’12), Sylvia Hardy (MFA ’12), Jose Soto (MFA ’12), Maria Sprowls (MFA ’12).

http://www.aperture.org/gallery/

 


Sally Dennison (MFA ’10) in Altered States at Foley Gallery

June 20, 2011

We are pleased to announce details for the exhibition featuring the winners of the 2nd edition of TSSP.

The exhibition, Altered States, will open at Foley Gallery on June 23rd and run through July 15th.  Opening reception for the artists will be the evening of June 23rd from 6 – 8 PM.

Foley Gallery is located at 548 W 28th Street, 2nd Floor, between 10th and 11th Avenue in New York City.

Featured artists from TSSP include:  Youngsuk Suh, Carrie Will, Richard Ansett, Emer Gillespie, Sally Dennison, Steffanie Halley, Noah Addis, Elizabeth Libert and Francisco Reina.

Co-curated by Michael Foley and Patrick Fleischman.

Altered States
Foley Gallery
548 W 28th, 2nd floor
New York, NY
June 23 – July 15, 2011

www.thesummershowproject.com

www.sallydennison.com

 

 

 


Jeremy Dyer (MFA ’07) at Occulter

May 31, 2011

OPENING RECEPTION: THURSDAY JUNE 2, 2011,  6-9PM
SOUND PERFORMANCE BY IAPETUS
RUNS THROUGH JULY 3
OCCULTER
83.5 ORCHARD STREET
(BTWN BROOME & GRAND, NEXT DOOR TO AN CHOI)
NEW YORK CITY
OCCULTER.ORG
CONTACT: 917-759-2220
INFO@OCCULTER.ORG
jeremydyer.net

Sabine Mirlesse (MFA ’10) in group exhibition at SIM Gallery in Reykjavik, Iceland

May 26, 2011

Sabine Mirlesse
http://sabinemirlesse.com
+1.212.810.6281 NYC
+354.898.8392 Reykjavik

Sally Dennison (MFA ’10) – Artist Wanted “The Power of Self” Finalist

May 23, 2011

Artist Wanted “The Power of Self”, a self portrait competition.

http://sallydennison.see.me/aw2011

 


Rachel Bee Porter (MFA ’10) in 3 upcoming shows

May 23, 2011

PHOTOPLACE OPEN 2011
PhotoPlace Gallery in Middlebury, Vermont.
May 24th through June 18th

http://www.vtphotoworkplace.com/id105.html

Photo National 2011
The University of Maine Museum of Art
Exhibition to open June 24, 2011

http://www.umma.umaine.edu/exhibition/11jun_01.html

Flash Forward – Emerging Photographers 2011

The Magenta Foundation is pleased to announce the results of Year Seven of its Emerging Photographers exchange. The initial exhibition and book launch will take place in October 2011.  There are winners from the US, UK, and Canada.

www.magentafoundation.com


Conveyor Magazine, Issue no. 1 {curiosities}

100 Full Color Pages; Editor-in-Chief: Christina Labey (MFA ’12); Contributing Editors: Neima Jahromi, Elizabeth Bick (MFA ’12), Haley Bueschlen (MFA ’12), Dominica Paige (MFA ’12); Sylvia Hardy (MFA ’12); Alison Chen (MFA ’12).

Issue includes Review on the Photographic Universe Conference: Images and Writing from Arthur Ou, Penelope Umbrico, Andrea Geyer, Wafaa Bilal, Lorne Blythe, Daniel Small, Luca Antonucci and Simone Douglas.

http://conveyorarts.org/publication/


Arthur Ou (Faculty): To and From R.F. in Triple Canopy Issue 12

Triple Canopy Issue 12: Black Box

To and From R.F.

by Arthur Ou & Lauren O’Neill-Butler

Masts and anchors, counterfeit and coin, man and snowman: Nova Scotia, window on the sea.

Most of the photographs found online were shot digitally and uploaded to the Internet without so much as a passing consideration of printing them in a physical form. Their material condition is not an issue. What we’re concerned with in Black Box is photographs whose materiality is at stake, for which an online presentation is disruptive, and therefore worth examining.

http://canopycanopycanopy.com/12/to_and_from_r_f_


Jessica Yatrofsky (MFA ’09) – book signing & video screening @ CCNY

April 25, 2011

 

Jessica Yatrofsky

book signing of I Heart Boy & video screening of I Heart Boy – The Screen Tests

Wednesday, April 27, 7pm
at CCNY
336 West 37th Street (between 8th/ 9th Ave) Second Floor
www.cameraclubny.org
Free admission


Amy Theiss Giese (MFA ’09) in exhibition at Real Art Ways in Hartford, CT

April 24, 2011

Real Art Ways

www.realartways.org

Opening Thursday June 16th, 2011 6-8pm
Show Runs June 16th – August 14th
56 Arbor St
Hartford, CT 06106
860.232.1006

Sabine Mirlesse (MFA ’10) featured in latest issue of the WILD magazine

April 24, 2011

The latest issue of WILD magazine featured the photo series “Going home/dust/ashes” by Sabine Mirlesse (MFA ’10).

http://thewildmagazine.com/magazine/

www.sabinemirlesse.com

 


Merve Unsal (MFA ’09) writes Art Agenda Review of Anna Ostoya’s “Exposures” at Bortolami Gallery

http://art-agenda.com/agenda/view/136

Anna Ostoya’s twenty-eight canvases in Bortolami Gallery mark the twenty-eight days of February 2011. Upon the gallery’s invitation, Ostoya set herself specific rules of production—to initiate a new piece each day for the duration of February, and to work only on 20 x 24 inch canvases with three main materials: newspaper, gold leaf, acrylic paint and papier-mâché. The resulting series of 28 works, Exposures on display are thus residues of a performative, diaristic process that the artist obscures with formal finesse.

Each canvas is remarkably different. While a black and white eye that would make Deren proud marks one canvas, another is void of any images, a bare monochromatic papier-mâché relief. In another piece, an upside-down L of images interwoven with yellow stripes, contrasts a Mondrian-like grid. While one diagonal is a dash of color, another is a collage of images of hands. The canvases are installed at equal distances apart, in a single line around the larger rectangular room of the gallery’s two spaces, triggering a staccato yet rarely surprising experience.

Ostoya’s On Kawara-esque pre-determination of the process is not a means of trammeling; on the contrary, having to use what exists in the newspapers on the day of, to trigger what could be made seems to have enabled Ostoya to create a seductive set of paintings that might be too “together” to the works’ disadvantage. The papier-mâché acts as a visual glue while geometric forms, marked by vertices, reveal a modernist aesthetic sensibility.

The most compelling canvases on display are marked by an absence of images. What could it be about the day of production that stopped Ostoya from using images, her ammunition? The viewer is forced to imagine what could have caused such a cessation. Was it the horridness of what happened on that day or was the artist just blasé? The gesture of not doing is more political, interpretive and construed than days on which the artist used easily recognizable news-related or other such stock images.

Ostoya’s impulse to make incongruent collages is diluted by the conceptual framework of the project. The monastic daily practice would benefit from further specifications, as the temporal limitations somehow seem insufficient. The tension between the working method and the visuals feel unresolved—if each painting is anchored by the boundaries of the day, what are the other parameters at play? The issue of industry becomes particularly pertinent in the context of the labor-intensive, structured method required by Ostoya’s project. Yet the relationship between industriousness and artistic practice remains somewhat murky.

Upon viewing Ostoya’s work, Robert Morris’s pieces where he painted over newspaper pages, almost fully “hiding” the content with light gray paint, currently on display at MoMA, come to mind. Ostoya seems to be straddling a few different spheres and histories; visually referencing Minimal works (both with a capital and lower-case m), setting conceptual limitations, making surrealistic collages, and drawing on other contemporary photography-based practices. The initial appeal of the exhibition is, in this sense, familiarity, yet it is also these conflicting visual and conceptual pulls that prevent Ostoya’s work from having a fresh, distinct tour de force. The temporal anchoring seems to have been a sincere response to the world in February 2011. However, it is precisely the hefty responsibility of making work in February 2011 that suffocates these beautiful collages.

—Merve Unsal


Niv Rozenberg (MFA ’11) in Fresh Paint: Contemporary Art Fair, Tel Aviv

March 30, 2011

Fresh Paint 4 will be held in The Botanic Garden site, hosted by Reality Fund in South Tel-Aviv, from April 5-9, 2011.

Fresh Paint Contemporary Art Fair, Tel Aviv, is the biggest, most influential annual art event in Israel, with over 35,000 visitors every year. The fair provides a meeting place for art lovers, artists and art professionals and an opportunity to purchase the work of top contemporary artists.

The fair, which takes place every year at a new, surprising location in Tel Aviv – the beating heart of the Israeli cultural world – brings together all the significant forces of the Israeli art world and enjoys the support of leading international art institutions.

All the leading Israeli galleries will be taking part in Fresh Paint 4, along with The Independent Artists’ Greenhouse which will present the works of dozens of promising up-and-coming artists. The fair will feature a solo exhibition of the work of Nivi Alroy, winner of the Most Promising Artist award for 2010, and present new works of art, installations and video exposed for the first time. Again this year, the fair will initiate and implement a number of artistic community projects including its successful Secret Postcard Project, and will offer enrichment programs featuring video screenings, lectures, discussions with artists and workshops.

http://freshpaint.co.il/en/page.php?id=107

Opening hours:

Tuesday          | 5.4.11 |   17:00-22:00 |  From 21:30- Artists party!

Wednesday    | 6.4.11 |  17:00-22:00

Thursday        | 7.4.11 |   17:00-22:00

Friday             | 8.4.11 |    11:00-19:00

Saturday         | 9.4.11 |   10:00-22:00


Carol Warner (MFA ’07) in Williamsburg 2000

March 27, 2011

http://carolwarnerstudio.com/


Erik Madigan Heck (MFA ’09), PDN 30 Award Winner for 2011

March 27, 2011

http://www.pdngallery.com/gallery/pdns30/2011/

For more information please email: office@maisondesprit.com
www.maisondesprit.com / www.nomenusquarterly.com / www.2bmanagement.com


Spring 2011 Parsons Open Studio: MFA Photography & Related Media

March 23, 2011


Jun Ahn (MFA ’11) and Ho Chang (MFA ’11) in two-person show at Chelsea West Gallery

Match 23, 2011

Jun Ahn, Self-Portrait, Photography Ho Chang, “There is No Virgin Here”

March 24 – April 12, 2011OPENING RECEPTION : March 24 6pm – 8pm



Brigitte Lustenberger (MFA ’06) in After Dark

March 12, 2011

After Dark

a group show curated by Natahlie Herschdorfer (Musée de l’Elysée, Alt. + 1000 Festival de photographie de montagne)

Opening: March 4, 2011, 7pm
Exhibition: March 5 to April 30, 2011
La Filature

Elisa Schwalm (MFA ’11) in Urban Landscape at 1650 Gallery in Los Angeles

 

March 3, 2011

URBAN LANDSCAPE

OPENING NIGHT RECEPTION:
SATURDAY, MARCH 5, 2011
7:30 – 10:30pm

1650 Gallery
1650 Echo Park Ave, Los Angeles, CA 90026

The URBAN LANDSCAPE is all around us and has inspired such photographic greats as Alfred Steiglietz, George Tice, Peter Hujar and Ernst Haas. The Urban Landscape has many faces; by turns romantic or lonely, placid or frenetic, exuberantly vibrant or numbingly mundane. The Urban Landscape never lacks personality.

www.1650gallery.com

www.elisaschwalm.com

URBAN LANDSCAPE

OPENING NIGHT RECEPTION:
SATURDAY, MARCH 5, 2011
7:30 – 10:30pm

1650 Gallery
1650 Echo Park Ave, Los Angeles, CA 90026


Jessica Yatrofsky Screening and Book Signing of I Heart Boy

February 28, 2011

Yatrofsky’s waif-like men—merely boys just a few years ago—pose in the intimacy of their own homes in and around New York City in this new series of photographic works published by Powerhouse. With subjects sporting the occasional tattoo and a bit of punk swagger to match their youthful naiveté, with nods to Larry Clark and the ’80s underground music scene, Yatrofsky’s aesthetic is appreciated by the likes of designer Hedi Slimane, American Apparel, and the most popular indie bands from New York, L.A., London, Paris, and Berlin. This is the undressed and carefree look of today’s male urban trendsetter—whose style trickles out of the young, creative circles in cities, only to be copied elsewhere tomorrow. With an erotic softness and quiet confidence, the young, often nude subjects in I Heart Boy exhibit a willingness to be celebrated by all for their beauty and openness.

Book signing for new monograph, I Heart Boy, and a special screening of, I Heart Boy – The Screen Tests, this Thursday March 3rd from 6pm – 8pm at Parsons The New School.

To RSVP please visit http://www.facebook.com/event.php?eid=103990716347862


Dominica Paige (MFA ’12), Review of The Page Turner

February 28, 2011

Review of The Page Turner in Prospect Heights Patch

With Narrative Artwork, Craft Makes a Comeback at FiveMyles by: Melanie White

Prospect Heights Blog Page Turners


Aziz+Cucher (Faculty), New Show and Featured Article

February 28, 2011

Ramis Barquet Gallery
532 West 24th Street New York, NY 10011
tel 212.675.3421 fax 212.675.3432
“CABARET”
curated by Matthew Weinstein
February 17 – March 19, 2011

Ramis Barquet Gallery is pleased to present Cabaret, a group show curated by Matthew Weinstein, including work by Laurie Simmons, Delia Brown, Kenneth Tin-Kin Hung, Kathe Burkhart, Aziz + Cucher, Dineo Bopape, Mika Rottenberg, Jose Posada, Jörg Immendorff, Simon Bedwell, Jose Clemente Orozco, Jack Smith, Hunter Reynolds, Arch Connelly and Robert Mapplethorpe.

‘Leave your troubles outside. So life is disappointing? Forget it. In here, life is beautiful.’

ARTNEWS Magazine (February 2011) on artistic collaborators, featuring a discussion on the work of Aziz+Cucher.

 


Sally Dennison (MFA ’10) in The A.I.R. Gallery 9th Biennial

February 25, 2011

What: The A.I.R. Gallery 9th Biennial

Where: A.I.R. Gallery

Address: 111 Front Street, Brooklyn, NY (DUMBO)

When: March 2 – 27, 2011

OPENING RECEPTION: Thursday, March 3, 6–9 PM

www.airgallery.org

www.sallydennison.com

Press Release:

The A.I.R. Gallery 9th Biennial
Curated by Alexandra Schwartz
March 2 – 27, 2011

Brooklyn, N.Y., MARCH, 2011 – The A.I.R. Gallery 9th Biennial, curated by Alexandra Schwartz, is an exhibition of work by thirty-seven women artists from the United States and abroad of diverse backgrounds. The exhibition will be on view from March 2 to March 27, 2011. The opening reception will be held on Thursday, March 3, from 6–9 PM.

Works by thirty-seven artists, reflecting a dynamic cross-section of contemporary art, demonstrate that women artists continue to be a major force in the art world. The 9th Biennial builds on the pioneering efforts of A.I.R. Gallery and on more than three decades of showcasing exciting new work by women artists. Works by: Michelle Acuff, Aileen Boyce, Mia Cpodilupo, Won Jung Choi, Sally Dennison, Susan Dessel, Sara DiDonato, Louisa Flannery, Joscelyn Gardner, Pamela Gill, June Glasson, Bang Geul Han, Tai Hwa Han, Callie Hirsch, Einat Imber, Martha Kelshaw, Emily Keyishian, Carole Kunstadt, Marcia Kure, Vivian
Lee, Dana Levy, Jenna Lucente, Natalia Ludmila, Susan Martin Maffei, Samuela Malizia, Meghan McInnis, Susan Mulder, Barbara Page, Vesna Pavlovic, Cecilia Roberts, Suzan Shutan, Alexandria Smith, Xin Song, Julianne Sterling, Ari Tabei, Lauren Marie Taylor, Joo Yeon Woo are included in the exhibition.

Alexandra Schwartz has been appointed the first curator of contemporary art at the Monclair Art Museum in New Jersey. Schwartz has worked in curatorial contexts at the Museum of Modern Art since 2004, most recently as the coordinator of MoMA’s Modern Women’s Project for which she curated “Mind and Matter, Alternative Abstractions, 1940s to now”, a
group exhibition of ten artists. Schwartz also published a book earlier this year entitled “Ed Ruscha’s Los Angeles”, examining Ruscha’s work in relation to the cultural context of its production. She has taught at Columbia University and in the education departments at MoMA and the Whitney Museum.

CLOSING RECEPTION: Sunday, March 27 from 4pm to 6p. Performance of “Dress for Today #2” by Ari Tabei at 5pm

A.I.R. Gallery is located at 111 Front Street, #228, in the DUMBO neighborhood of Brooklyn. Gallery hours: Wed. – Sun., 11am to 6pm. For directions please see www.airgallery.org. For more information please contact Gallery Director, Kat Griefen at 212-255-6651 or info@airgallery.org

The A.I.R. Gallery 9th Biennial is made possible by funds from the 2010 JPMorgan Chase Regrant Program, administered by the Brooklyn Arts Council Inc.


Sight+Site Collaboration

Feb 7, 2011

A visual research collaboration between BFA and MFA students in the Master of Fine Arts Photography at Parsons The New School for Design, NYC and students in the Masters of Photography program at AKV St Joost.

Photography, the medium for this project, has a profound role in shaping the empirical and emotional understanding of place for both the viewer and the image-makers themselves. It simultaneously performs both a research and a creative function and it communicates literal understanding and deeply subjective impressions.

www.groundmagazine.org


I Heart Boy Book Release – Jessica Yatrofsky (MFA ’09)

Feb 7, 2011

Please join me for the Book Release Event and Opening Exhibition for my new monograph, I Heart Boy, this Thursday February 10 , from 7:00pm – 9:00pm at the Powerhouse Arena in DUMBO.


Meghan McInnis (MFA ’08) at A.I.R. Gallery

January 30, 2011

Elks Lodge (2008)

Spiritus: our collected breath

Through photography I have explored the inter-connection of social and physical transition, mnemonic resonance, and parallel experience. As part of an ongoing investigation of transitional space, I have photographed the stage areas in underground hardcore punk shows for the past two years. The participatory space in DIY/punk culture is liminal, the line between performer and audience blurred. These images are created the moment the last performer leaves the stage, capturing and solidifying the residual energy from the heightened physical and emotional events having just occurred. The spaces themselves are not meant to be used as venues for musical performance. They act as a temporary concert halls, often used only a few times for this purpose. These spaces often include Mooselodges, VFW Halls, Masonic Temples, living rooms, kitchens, basements, and backyards. The members of the hardcore subculture are in a social transition, which further layers the transitional nature of these spaces.

February 2 – 27, 2011

Opening Reception: February 3, 6-8:30 pm

A.I.R. Gallery

111 Front Street
Brooklyn, NY 11201
www.airgallery.org
www.meghanmcinnis.com

In Conversation: Tedd Nash Pomaski & Dominica Paige (MFA ’12)

January 30, 2011

A Spoon Knows Not the Taste of Broth, 2010

In Conversation: Tedd Nash Pomaski & Dominica Paige (MFA ’12)

Tedd Nash Pomaski’s At the Foot of the Lighthouse explores the depth and distance between moments of darkness, mortality, and certainty. The exhibition is comprised of graphite on paper drawings that utilize rolling waves, empty streets, and haunting medical examination rooms as primary data points. Through multiple phases of practical and metaphorical remove, the artist is able to best capture the essence of the passages depicted.

Nash Pomaski’s practice incorporates distinct and purposeful acts of mediation, creating distance from initial source impressions; striving to draw only points of discrete visual information versus what he knows (if one ever knows) to be true about the forms, environments, and scenarios. Technical distances are created by engaging various documentation media: video, still-photography, digital manipulation, and finally hand drawing. The resulting images are poetic and ethereal fields of binary information; mark, lack of mark / erasure, lack of erasure.

The exhibition title, like many of the artwork titles, is a fragmented proverb. The full title phrase reads, “darkness reigns at the foot of the lighthouse” and implies that basic understanding is often sacrificed when one is projecting cognitive momentum far into the distant past or future. By basing understanding of a given moment on a collection of associated memories or future beliefs, reality is likely to be misconstrued. In At the Foot the of the Lighthouse, Nash Pomaski leads us gingerly out of the Platonic Cave of projected shadows and into a, perhaps hazy at first, moment of light-filled observation.

Born in Hilo, Hawaii in 1975, Tedd Nash Pomaski studied painting and architecture at the Rhode Island School of Design (BFA 2005). He has participated in group and solo exhibitions in various locations including: New York, Baltimore, Providence, Portland, Turin, and Tokyo. At the Foot of the Lighthouse is the artist’s first solo exhibition with Bose Pacia. Nash Pomaski lives and works in Brooklyn, New York.

Thursday, February 3rd 6:30-8:30pm, at Bose Pacia, where his solo show At the Foot of the Lighthouse is currently on view.

163 Plymouth Street
Brooklyn, NY 11201
USA
P 212 989 7074
F 212 989 6982
mail@bosepacia.com

http://la.artslant.com/ny/events/show/140934-in-conversation


Lisa Bleich, Anna Ogier-Bloomer, Egemen Fethi Pekoz, Elisa Schwalm and Rachael Stollar (all MFA ’11) featured in NYC DANCE MACHINE

January 27, 2011

Saturday, January 29th
Doors at 8:30pm
Music starts promptly at 9pm – midnight
$6 | 21+

NYC Dance Machine is a monthly dancefloor oasis that presents three local bands who will make you… you guessed it: DANCE! Along with foot friendly sounds, the artist-based celebration hosts an interactive display of installations by local artists. Cheap drinks and no pretense make this a funky extravaganza you won’t want to miss.

LIVE BANDS
Comandante Zero
Neon Dynamite
Night of the Living Funk

ARTISTS
Lisa Bleich
Mark Ellis
Anna Ogier-Bloomer
Egemen Fethi Pekoz
Elisa Schwalm
Rachael Stollar

VENUE
Lit Lounge
93 2nd Avenue, NYC
between E 5th & E 6th Streets
The party is located downstairs.

Invite ur friends: http://www.facebook.com/event.php?eid=142676432456986
Here’s a map: http://tinyurl.com/37glh6p


Simone Douglas (Faculty) in 3 New Exhibitions and Book Publication

January 27, 2011

Ever 2010

Solo exhibition:
‘Ever’, as part of Art Month Sydney, Artereal Gallery, Sydney. March -
May 2011
http://www.artereal.com.au/
http://artmonthsydney.com/

___________________________________________________________

Blind 2000

work from ‘Blind’ included in:

‘Photography & place  Australian landscape photography 1970s until now’,
The  Art Gallery of NSW (AGNSW), Sydney. Curator Judy Annear, Senior
Curator of Photography, AGNSW, March 16th – 29th May, 2011
http://www.artgallery.nsw.gov.au

Unlike politically and conceptually informed landscape photography in
Australia in the 1970s, which was a tentative exploration of the idea of
place and reclamation, some recent photographic work can be seen to
explore the idea of place in dynamic relation to culture, despite the
specificities of location.

This exhibition looks at the earlier work and compares and contrasts
intention and effect in relation to more recent photography and examines
works that present very specific views of locations and what that
location or place can be taken to represent. Includes 18 artists from
Jon Rhodes, Lynn Silverman, Simryn Gill, Ricky Maynard, Simone Douglas,
Rosemary Laing to Paul Ogier.

__________________________________________________________

Promise 2006

Colleges Arts Association exhibition, NY Academy of the Arts, NY.

Jan – March 2011.

Representing Parsons, Anthony Aziz, Simone Douglas, Glenn
Goldberg.

__________________________________________________________

Collision (surrender) 2000

Publication:

work from Collision (surrender) included in the new book:

Marsh, Anne (essays), Zimmer, Jenny (ed). Look: Contemporary Australian
Photography since 1980, Macmillian Press.  Dec 2010.
PRESS RELEASE: BOOK LAUNCH

Look: Contemporary Australian Photography since 1980

Look: Contemporary Australian Photography since 1980 is the largest book
ever published on Australian contemporary photography and is destined to
become one of the most significant surveys of its time.

The sumptuous, large-format book, with over 400 colour plates showcases
the work of 190 individual photographers and creates a critical forum
through the accompanying essays written by esteemed academic and art
historian Anne Marsh.

The pictures are grouped together in themes: environment, life,
identity, space and experiment, some of the themes have sub-themes:
beach, sky, youth. Each theme has a short introduction and every
photograph has an extended caption. The critical essays, positioned at
the back of the book, analyse the curatorial and theoretical issues that
have shaped photography over the last 30 years and are accompanied by a
timeline detailing important photographic exhibitions and events, and an
extensive bibliography.

Eagerly awaited by artists, critics, the art community and their
publics, the book is the culmination of a five-year research project
assisted by the Australian Research Council and the Australia Council.

Designed and edited by Jenny Zimmer. Published by Macmillan.
190 artists, 400+ colour plates, many full page, 400pp, including index.


Erik Madigan Heck (MFA ’09) Featured on NOWNESS.COM

January 10, 2011

The LVMH daily fashion website, www.nowness.com, features Erik Madigan Heck Dec 19, 2010, and showcases a selection of the Rodarte photographs from Nomenus Quarterly 11,  as well as a selection of the Haider Ackermann Pitti Uomo photographs from Florence this summer. To view the article go to www.nowness.com.


Craig Kalpakjian (Faculty) in Looking Back / The Fifth White Columns Annual

January 10, 2011

WHITE COLUMNS

LOOKING BACK: THE FIFTH WHITE COLUMNS ANNUAL
- SELECTED BY BOB NICKAS

DARREN BADER / JULES DE BALINCOURT / BARRY X BALL / ALVIN BALTROP / GENE BEERY / HUMA BHABA / CAROL BOVE / FREDDIE BRICE / VIJA CELMINS / MIKE CLOUD / BRUCE CONNER / VOLKER CORELL / JAY DeFEO / TRISHA DONNELLY / JOHN FAHEY / BRION GYSIN / TAMAR HALPERN / ULL HOHN / DAVID HURLES / CANDY JERNIGAN / CRAIG KALPAKJIAN / STEPHEN KALTENBACH / JACOB KASSAY / DAVID MALEK / JUSTIN MATHERLY / WARDELL MILAN / JOSEPH MONTGOMERY / AMY O’NEILL / VIRGINIA OVERTON / ALYSSA PHEOBUS / CHARLOTTE POSENENSKE / NATHANIEL ROBINSON / MICHAEL SCOTT / LILY VAN DER STOKKER / PHILIP TAAFFE / PAUL THEK / GERT AND UWE TOBIAS / JOSH TONSFELDT / ANDRA URSUTA / CHRIS VASELL / DAN WALSH / KARL WIRSUM / AND ANONYMOUS TANTRIC ARTISTS

DECEMBER 11, 2010 – JANUARY 29, 2011

TUESDAY – SATURDAY, NOON – 6PM

WHITE COLUMNS
320 WEST 13TH STREET
(ENTER ON HORATIO STREET)
NEW YORK, NY 10014
WHITECOLUMNS.ORG

THANKS FOR YOUR SUPPORT IN 2010 / BEST WISHES FOR THE HOLIDAY SEASON

WHITE COLUMNS / 1970 – 2010 / 40 YEARS OF SUPPORT FOR ARTISTS



Arthur Ou (Faculty) in 3 New Shows

Jan 3, 2011

BEDTIME FOR BONZO

Curated by Matthew Porter (Parsons BFA Photography Faculty)

December 11, 2010 – January 29, 2011

M+B is pleased to announce an exhibition of photography curated by the artist Matthew Porter. Titled BEDTIME FOR BONZO, the exhibition will be on view from December 11, 2010 to January 29, 2011.

Participating artists include Walead Beshty, Gil Blank, Matthew Brandt, Andrew Bush, Eduardo Consuegra, Moyra Davey, Arthur Ou, Matthew Spiegelman, James Welling, Hannah Whitaker and Mark Wyse.

Like a river that returns every year to its floodplain, our politics and entertainment can be expected to return to the preceding decades for material. In particular, much of the recent rhetoric from the mid-term elections echoed the eight years of Ronald Reagan’s presidency. Viewing Jimmy Carter’s famous 1979 “Malaise Speech” as a herald of the 80s, this show presents a selection of images that, when stripped of their original contexts, serve as both index and icon for a decade best defined by a sententious leader. They can also be seen, in the decade before the Internet, as a late-century analog swansong. This is the Eisenhower era in color, with a technological upgrade. The confection-coated green and silky whites of the suburbs look saccharine next to rust-belt towns in decay—evidence of the simultaneous achievement and dismantling of the American dream.

Bedtime for Bonzo is a 1951 film starring Ronald Reagan as a moralizing pedagogue intent on meliorating a chimpanzee’s understanding of right and wrong. If the images on the walls feel equally didactic, remember that this is a show about the 80s, when subtlety was traded for over-dramatic hyperbole.

Matthew Porter (b. 1975, State College, Pennsylvania) received his B.F.A. from Bard College and an MFA from the Bard-ICP for Advanced Photographic Studies.  His work has recently been exhibited in New York, Miami, Paris and Dallas and featured in the New York Times Magazine, Modern Painters, VMan and Exit.  Porter is the recipient of Photo District News’ 30 “New and Emerging Photographs” in 2004 and was most recently chosen as one of five artists included in the inaugural “New Perspectives 2010” exhibition at the International Center of Photography (New York City).  Matthew Porter is represented by M+B and lives and works in Brooklyn.

M+B
612 North Almont Drive
Los Angeles, California 90069
T 310 550 0050
F 310 550 0605
E info [at] mbart.com

www.mbart.com

THE CITY PROPER

Curated by photographer James Welling

November 20, 2010 – Jan 15, 2011

Margo Leavin Gallery is pleased to announce an exhibition of photography curated by the artist James Welling. Titled The City Proper , the exhibition will be on view 20 November through 15 January.

Artists to be exhibited:
John Baldessari, Cindy Bernard, Zoe Crosher, Shannon Ebner, Christina Fernandez, Frank Gohlke, Anthony Hernandez, Peter Holzhauer, Brandon Lattu, William Leavitt, Lisa Ohlweiler, Catherine Opie, Arthur Ou, Allen Ruppersberg, Asha Schechter & Jacob Stewart-Halevy, Ger van Elk, Mark Wyse, Amir Zaki

The legacy of New Topographics, the 1975 landmark exhibition at the International Museum of Photography, Rochester, NY—of which Gohlke was a part—echoes throughout The City Proper , as photographers train their lens on Southern California’s urban landscape. Predominately focused on images of Los Angeles, these artists underscore the nebulous boundaries of the modern megalopolis and invite new readings of the city that the majority of them call home. These contemporary images re-inscribe the myth of the American West and its historical depiction in romanticized landscape photography with hauntingly empty streets, banal settings, and occasional wry humor.

James Welling (b. 1951, Hartford, CT) received his B.F.A. and an M.F.A. from the California Institute of the Arts. Since 1995, he has been the area head of photography in the Department of Art at UCLA. His influential work has been selected for group exhibitions both nationally and internationally. Solo exhibitions have been held at: the Palais des Beaux-Arts, Brussels (2002); Sprengel Museum Hannover (1999); Carnegie Museum of Art, Pittsburgh (1998); Kunstmuseum Luzern (1998); and a major
retrospective was organized by the Wexner Center for the Arts, Columbus, Ohio, and traveled to the Museum of Contemporary Art, Los Angeles, and the Baltimore Museum of Art (2000). Welling’s most recent exhibition of new work, Glass House, was held at Regen Projects, Los Angeles earlier this year and his series Light Sources (1992-2005) has just been published in a monograph by SteidlMACK.

Margo Leavin Gallery is located at 812 North Robertson Boulevard in Los Angeles.

Gallery hours are 11 a.m. to 5 p.m., Tuesday through Saturday.

www.margoleavingallery.com

AFTER COLOR

Curated by Amani Olu

December 09, 2010 – January 28, 2011

The SCAD exhibitions department presents the acclaimed group exhibition “After Color,” guest curated by Amani Olu. “After Color” showcases the photo-based works of nine contemporary artists who help redefine the potential of black-and-white photography while ushering in new formal, technical and conceptual developments in photographic discourse. Olu is co-founder and executive director of Humble Arts Foundation in New York City.

Artists: Michael Bühler-Rose, Talia Chetrit, Matthew Gamber, Stephen Gill, Adrien Missika, Noel Rodo-Vankeulen, Pushpamala N, Arthur Ou, and Michael Vahrenwald.

SCAD Galleries, Hall Street Gallery | 212 W. Hall St., Savannah, Ga.

http://www.scad.edu/exhibitions/


Nomenus Quarterly #11 Online

Jan 3, 2011

WWW.NOMENUSQUARTERLY.COM

The most recent issue features: Anselm Kiefer, John Currin, Sigmar Polke, John Baldessari, Lawrence Weiner, Paulina Olowska, Lovisa Ringborg, and a portfolio of images for Rodarte’s spring summer 2011 collection. Essays included feature a retrospective glance at Sigmar Polke by George Pitts, as well as a reprinting of Anselm Kiefer’s acceptance speech for the Peace Prize of the German Book Trade, Paulskirche, Frankfurt am Main, October 19, 2008, translated by Angelika Fremd. Additionally, the 11th issue is now available in HTML 5 instead of flash, for the ease of viewing on iPods and iPads.

NOMENUS QUARTERLY RADIO LAUNCHES

We als o have introduced Nomenus Quarterly radio, which features exclusive live abient and experiemental mixes, beginning with a 45 min set that includes music from Hilmar Orn Hilmarsson, Godspeed You! Black Emperor, Bjork, The Field, Colleen, DJ Spooky, Susumu Yokota, Marsen Jules, Enya, Aphex Twin, Mara Carlyle, Bing and Ruth, and more.

The 2nd featured mix will be compiled by Karlo Steel, from Atelier New York, whose mix will focus on ambient krautrock: bands from Germany 1969-1974. Followed by a 45 min set by German composer Marsen Jules, playing new and rare additions from Nostalgia and other lps. Please check NQ radio for more releases in January.

Merry Christmas and Happy Holidays, we hope Nomenus Quarterly 11 brings you all something beautiful to look at for the new year.
For more information please email: office@maisondesprit.com
www.maisondesprit.com / www.nomenusquarterly.com / www.ablogcuratedby.com


Nathan Harger (MFA’08)

Dec 2, 2010

First Solo Exhibition @ Hasted Kraeutler

December 9, 2010 – January 29, 2011

Opening Reception Thursday December 9, 2010 6-8pm

Hasted Kraeutler – 537 West 24th Street, New York, NY 10011

Press Release:

HASTED KRAEUTLER is pleased to announce an exhibition of photographs by Nathan Harger. This is the artist’s first solo exhibition.

Nathan Harger photographs objects, scenes and spaces in the everyday urban environment such as highways, cranes, bridges, airplanes, power lines, factories and other structures behind the massive forms of production that shape American culture. The earlier works exhibited are grids, which show his co…nceptual development and his negotiation of the dynamic visual experience of a city [Untitled (Overpass), Queens, NY, 2007]. The recent works are high contrast black-and-white photographs, such as Untitled (Process Tank), Brooklyn, NY, 2010. The industrial spaces in the outer boroughs of New York City, New Jersey and Western Pennsylvania where Harger photographs are not tourist sites; they are often restricted areas around factories, power plants and airports at the fringes of the city.

Born in Cleveland, Ohio in 1976, Nathan Harger received his B.F.A. in photography from the Cleveland Institute of Art. He completed his M.F.A. in photography at Parsons the New School for Design in 2008. His exhibition debut in New York City was in the critically acclaimed exhibition, Contradictions in Black and White, an exhibition that placed his work alongside Irving Penn, Margaret Bourke-White, Walker Evans and Ray K. Metzker in 2009. His work has consistently been featured in several publications including New York Magazine.

Harger has been honored as one of Photo District News’ “30 Under 30,” a list of “emerging photographers worth watching,” and has been nominated for the 2009 Santa Fe Prize for photography and the 2010 Prix Pictet. His images were also included in American Photograph’s portfolio of “Images of the Year” for 2008 and Wallpaper Magazine’s “Photo Graduate Directory of 2009.” He was recently included in Aperture Gallery’s exhibition States of Flux. His photographs were acquired by and are in the permanent collection of the Cleveland Museum of Art.

Nathan Harger is represented exclusively by Hasted Kraeutler.

For press inquiries or further information, please contact the gallery at info@hastedkraeutler.com or 212-627-0006.


Sun In My Mouth by Jessica Yatrofsky (MFA ’09)

Nov. 30, 2010

Film Premiere!!!!

Saturday, December 11

6:30-8:00pm

Kellen Theater

Q & A with the Artist following the screening

Parsons The New School for Design

66 Fifth Avenue
New York, NY
_________________________________________________________________________________________

Miranda Lichtenstein (Faculty) at Elizabeth Dee Gallery

November 20, 2010

Currently showing at Elizabeth Dee Gallery:

Miranda Lichtenstein, Professor of Photography at Parsons the New School for Design

_________________________________________________________________________________________


Jessica Yatrofsky (MFA ’09) – Nylon Magazine Feature

November 20, 2010

featured in October 2010 issue of NYLON Magazine

_______________________________________________________________________________________________


Brigitte Lustenberger (MFA ’06)

November 20, 2010

Directed Attention

27 August – 24 December 2010
under floors, an art project funded by the DC Bank and Loeb
Loeb staircase, Spitalgasse 47-51, 3001 Bern

Critique of “The Bund” – www.etagen.ch

Brigitte Lustenberger draws the attention of viewers and viewers in a wonderful universe. It is a special visual language, taken from a virtual store of rich art and cultural history. It creates images of alleged crime scenes, scenes that appear to us familiar and irritating – can be categorized and thus keeps in its own history and their own stories. The images are otherworldly, and yet you feel like a part.They make frozen stages of the event, a snapshot of the passage of time.

The interactions of the individual images contribute to each other even more striking than that resulting random narrative, the beginning is just as uncertain as the output. The eyes of the viewer and viewers meet so inevitably to the attention of the people depicted, that in turn rest “captured” by the look of the artist. The strong color contrasts – most work a deep black ground – away from us in a different world. In “floors” works from the last five years can be seen.

Also recently exhibited:

Inside Out Part II

Ausstellung vom 5. Juni – 11. Juli 2010
Kunsthalle Luzern

links to BL’s recent reviews

Alice Henkes: From Crime in the head (The federal government, 01:10:10)

Sylvia Mom: See and be seen (species-suite 10/10)

Helen Lagger: Woman looks back (Berner Zeitung, 28.08.10)

__________________________________________________________________________________


Sarah Sudoff (MFA ’06)

November 20, 2010

Interview on Milwaukee Institute of Art & Design

miad-fa382.blogspot.com/2010/11/interview-sarah-sudhoff.html

________________________________________________________________________________________


Physical Center: Brooklyn

November 16, 2010

featuring the work of Keith Telfeyan (MFA ’09)

Physical Center: Brooklyn

includes a performance art, video art and interactive installations by artists from London, Berlin and Brooklyn.

Saturday, November 20 5pm – 11pm
at The Convent of Saint Cecilia 21 Monitor St (between Herbert & Richardson)
_________________________________________________________________________________

Blossom Artist Series: Jeremy Dyer (MFA ’07)

November 16, 2010

Opening: Thursday November 18, 2010

Cafe Blossom – 466 Columbus Ave (Between 82nd & 83rd St)

Press Release:

At Cafe Blossom we have opened our hearts and our wall space to
showcase local vegan artists whose work and goals are consistent with
our animal-rights-oriented stance. Through these exhibitions we hope
to raise financial support and increase awareness for various
animal-related, non-profit organizations and the urgently important
objectives they are bringing to your table. 25% of the proceeds from
the sale of each piece in The Blossom Artist Series will be directly
donated to one of these organizations.

Our first exhibition in the series is with Brooklyn-based artist and
vegan activist Jeremy Dyer. The opening reception will be held on
Thursday, November 18th from 7:00 PM – 10:00 PM. 25% of the proceeds
from the exhibition will be donated to Social Tees Animal Rescue
( www.animalrescuenyc.org). Cafe Blossom will donate 5% of all
restaurant sales occurring on November 18th directly to Social Tees
Animal Rescue. We hope to see you there!

Social Tees Animal Rescue (S.T.A.R.) is a non-profit, strictly no-kill
501c3 organization that takes abandoned animals from various local
kill shelters and provides them with a safe haven and veterinary care
until they are placed in a proper home. S.T.A.R. rescues,
rehabilitates and places over 3000 animals into loving homes every
year.

Jeremy Dyer was born in Tucson, Arizona. He received his BFA degree
the University of Arizona and his MFA from Parsons School for Design
in New York City. Since 2000, his work has been exhibited nationally
and internationally. He lives and works in Brooklyn.

http://jeremydyer.net
http://www.blossomnyc.com
http://animalrescuenyc.org

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Nomenus Quarterly #10 Online

November 7, 2010

features works by: Marlene Dumas, Christo, Pierre Bonnard, Haider Ackermann, Desiree Dolron, Anthony Cotsifas, Undercover, Masao Yamamoto, Marcel Dzama, and Joseph Altuzarra with Continuum played by Gabriela Montero.

Erik Madigan Heck (MFA ’09)
Editor in Chief

www.nomenusquarterly.com/

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Conveyor Arts Presents: Unusual Happiness

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Grace Wawa Yang (MFA ‘ 08) Solo Exhibition

In Between

Oct 9 – Nov 7 2010

www.sakshigallery.com.tw
TEL:886-2-2516-5386
FAX:886-2-2516-9209
E-mail:info@sakshigallery.com.tw
1F, No.33, Yitong Street, Taipei,10481, Taiwan

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Parsons Open Studio: MFA Photography & Related Media

Elisa Schwalm, Been There Done That, 2010

Featuring the work of:

Adam Abel, Alison Cheng, Anna Ogier-Bloomer, Aubrey Hays, Charlie Rubin, Chelsey Morrell, Christina Labay, Colleen Fitzgerald, Dominica Paige, Dylan Entelis, Egemen Pekoz, Elisa Schwalm, Elizabeth Bick, Haley Bueschlen, Ho Chang, Jaehee Hwang, Jose Soto, Jun Ahn, Khaula Jamil, Leif Huron Lafferty-Gebauer, Light Park, Lisa Bleich, Maria Sprowls, Nathan Bett, Niv Rozenberg, Phoenix Lindsey-Hall, Rachael Stollar, Sam D. Rivers, Seung Jae Ju, Sharon Ma, Sylvia Hardy, Yan Deng, Yichen Zhou

Parsons The New School for Design

66 Fifth Avenue, New York City

3rd Floor

Opening Reception:  Thursday, November 11th, 2010  6 to 8 p.m.

Exhibition free and open to the public


Elmar Vestner MFA 07′

Elmar Vestner MFA Photo 07′ cordially invites you to his current exhibition “Bitter” opening October 8 at 7:00 PM at Galerie September, Berlin. The exhibition runnes through November  13


PARSONS PRESENTS ANNUAL MFA PHOTOGRAPHY THESIS EXHIBITION


On View at the Sheila C. Johnson Center August 19 – September 11

Opening Reception August 25, 6:00 – 8:00 PM

NEW YORK, August 10, 2010— Parsons The New School for Design will
present Graduate Works in Photography, its annual exhibition of MFA
Photography thesis work in the Arnold and Sheila Aronson Galleries of
the Sheila C. Johnson Center from August 19 through September 11, 2010.

The exhibition features thesis work by recent graduates, Robert
Davidson, Sally Dennison, Sandra Elkind, Veronica Ibanez, Chang Kyun
Kim, Christina Lush, Meghann Lyding, Samantha Mirlesse, Rachel Porter,
Mana Sakaguchi, Stephanie Stanley, Rachael Stollar, Patrick Taylor, and
Marie Vic

A catalogue of works accompanies this year’s exhibition. In reflecting
on the evolution and context of their practices during the MFA program,
this years’ class has included in the catalogue a series of interviews
with artists, critics and curators who have been influential in forming
their vision. Contributors included Patty Chang, Charlotte Cotton,
William Lamson, Myoung Ho Lee, Jill Magid, Cay Sophie Rabinowitz, A.L.
Steiner, James Welling, Brian Ulrich and Bruce High Quality Foundation.
To Download a PDF of the exhibition click at
photo.parsons.edu/mfa/2010catalogue.pdf.

This publication and the thesis exhibition was made possible through the
generous support from Nikon.
.
For more information, please visit
www.newschool.edu/parsons/mfa-photography/

Gallery Information:
Sheila C. Johnson Design Center
Parsons The New School for Design, 66 Fifth Avenue at 13th Street, New
York
Gallery hours: M-F, 10 AM-8 PM; S-S, Noon-6 PM, closed all major
holidays and holiday eves.
Admission: Free
Info: Please contact 212.229.8919 or visit
www.newschool.edu/parsons/sjdc.

About Parsons The New School for Design
Parsons The New School for Design is one of the most prestigious and
comprehensive institutions of art and design in the world. Located in
New York City, Parsons prepares students to creatively and critically
address the complex conditions of contemporary global society. Combining
rigorous craft with cutting-edge theory and research methods, Parsons
encourages collaborative and individual approaches that cut across a
wide array of disciplines. For more information, please visit
www.newschool.edu/parsons.

PARSONS PRESENTS ANNUAL MFA PHOTOGRAPHY THESIS EXHIBITION
Parsons The New School for Design will present its annual exhibition of MFA Photography thesis work in the Arnold & Sheila Aronson Galleries of the Sheila C. Johnson Design Center, located at 66 Fifth Avenue between 12th and 13th Streets, from August 25 to September 12. The opening reception will take place on Wednesday, August 27, from 6:00-8:00 p.m., and are free and open to the public.
The exhibition features thesis work by recent graduates Brett Bell, Mark William Fernandes, Nathaniel Harger, Meghan McInnis, Kyung Mi Park, Haley Samuelson, Sean Simpson, Kirsten Springer-Delgado, Meng-Hsun Wu, Tingting Xu, and Grace Yang.
Through three intensive eight-week summer residencies and two years of independent study, the MFA Photography program at Parsons provides students with comprehensive theoretical and studio training in the art of photography. Students work collaboratively on assignments while developing their own aesthetic, graduating with an accomplished portfolio and the technical skills they need to become successful photographers. For more information, please visit parsons photo book website.